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Warner Music: музыкальный гигант учится зарабатывать на нейросетях (пока другие боятся)

Warner Music Group отчиталась о росте выручки на 10% в первом квартале. Пока коллеги по цеху пытаются запретить нейросети, CEO компании Роберт Кинцл делает став

AI-processed from Bloomberg Tech; edited by Hamidun News
Warner Music: музыкальный гигант учится зарабатывать на нейросетях (пока другие боятся)
Source: Bloomberg Tech. Collage: Hamidun News.
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Warner Music: The Music Giant Learns to Profit from AI (While Others Fear)

The music industry has lived in defensive mode against technology for decades. First there was Napster, then torrents, then a long and painful adjustment to streaming. Each time, major labels tried to sue progress before understanding how to profit from it. It seems Warner Music Group has decided to break this tradition. While lawyers at other companies write angry letters to AI creators, Warner is showing double-digit revenue growth and openly stating that AI is not only a threat, but also an excellent way to boost the bottom line.

In the first quarter, the company's revenue jumped 10 percent. This happened thanks to digital services and expanded licensing rights. But the most interesting part lies in the words of company CEO Robert Kyncl. A former top manager at YouTube who knows firsthand how algorithms change content consumption, he directly states: the patterns of AI usage will soon start bearing fruit. Kyncl is not just observing the market, he is laying the groundwork so that every generated voice or melody trained on Warner's catalog brings the company royalties.

Context is critically important here. Last year was marked by panic over the "fake Drake" and endless debates about whether models can be trained on copyrighted content without permission. Most market players chose the path of confrontation. Warner, it seems, is choosing the path of integration. If you can't stop the flow of AI covers, you need to make sure that every such track brings a penny to the rights holder. This is a fundamental shift in thinking: a transition from the concept of a "protected fortress" to the concept of a "licensable ecosystem."

Why does this matter now? We are at an inflection point where the quality of generative music stops being a joke. When any teenager can create a hit with any star's voice in five minutes, old methods of control no longer work. Kyncl understands that trying to ban AI is like trying to empty an ocean with a spoon. Instead, Warner is betting on Artist Services and expanded rights. They want to control not only physical recordings, but also the digital "fingerprint" of their artists in neural networks.

Investors are responding positively to these numbers, but the real test lies ahead. If Warner Music Group can negotiate with technology giants for transparent payments for using data to train models, this will create a precedent for the entire market. We will see a new era where labels transform into some kind of "data banks" trading rights to styles, voices, and musical DNA. It's cynical, but a very logical step in a world where algorithms are becoming the new composers.

The bottom line: Warner Music Group is betting that AI will become the main driver of profit growth in the next three to five years. Will Kyncl be able to convince artists that their digital doubles are a benefit, not theft of identity?

ZK
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